Third book by Marcin Wicha and a stunning piece of literature. It starts with Kazimir Malevich and his famous black square, but the scope and boldness of this essay is hard to fathom.

Limited edition of a poster with an excerpt from a song (Bang bang, freedom or death) of a renowned Polish singer Maria Peszek, which serves as a commentary on a political turmoil in Poland.

A book such as this demands special treatment. I decided to use several reproductions of Japanese woodblock prints inside, the book itself is printed on high-quality smooth paper and hard-bound.

As the titles in the series differ from one another, there is no point in them looking the same. I decided to keep a standard format, interior layout, dust jacket, and a sticker with the series name.

A family saga from pre-war Poland. I found the inspiration in the last lines of the novel and the image of a sun setting over a sea. The type layout is a distant echo of the sun's reflections on a calm sea.

As this fascinating book on different forms of women’s oppression focus mostly on a present moment, I never entertained the idea of showing a lady on a broom on the cover.

Series of titles on current issues describing how to tackle various forms of oppression. The books had to be very accessible, hence their small format and relatively inexpensive choice of material.

...as everyone adores kittens, I dug out a 19th-century illustration of a fiery little cat. It is cute on its own and repeated twenty times, makes the cover quirky, a little bit old fashioned, and – I hope – fun.

A foray into DIY esthetics of Polish non-professional design: gazebos, gates, garden decorations. They are, at the same time, heart-warmingly naive and eerily unsettling.

Writings on design, on learning, and teaching it from experienced Polish scholar and designer. The dust jacket is printed with three Pantones and black to make sure that the colors are RGB vivid.

What other typeface than Times New Roman could I use on a cover of Marcin Wicha's book titled 'How I Stopped Loving Design"?

A poetry volume series designed for a biannual poetry festival held in Gdansk, Poland.

A seminal work on the Vietnam War, and perhaps THE book on any war, really. The design was a challenge simply because there are so many outstanding images of the war it was tough to pick one.

Wright is looking fiercely from the cover, and though I am not into ornaments, I couldn’t refrain from hot-stamping one (along with the author’s name) on the spine of the book.

What were the different architectural utopias of the 20th century, how were they successful, and where they failed, wonders Wade Graham in his informative book.

The deluxe edition of Ryszard Kapuscinski’s most recognizable works. For years the most famous Polish non-fiction writer, widely read abroad, Kapuscinski is still a big name in Poland.

Book for those puzzled by architecture, no matter modern or old. The cover features a photo of children playing on a rooftop of a famous Unite d’Habitation, a building designed by Le Corbusier.

Book by a legendary architect and the man who established Bauhaus. I tried to design it in such a way that it reflected author's views and opinions: deeply humane, focused on well-being of society and individuals alike.

Oversaturations, halftone patterns and blueish tint of the original 1971 US edition. Clean design (think Dutch typography) paired with a dollop of American post-modernism (thanks, Emigre).

First Polish anthology of the most important texts on graphic design. Almost 500 hundred pages, two colors inside, hardcover, bound in turquoise paper. First print run sold in no time!

Series of posters with images I used on Stanislaw Lem's sci-fi books series published between 2012 and 2019 by Wydawnictwo Literackie. Digital print, B2 format (50×70 cm)

A poster for J.R.R. Tolkien's book THE HOBBIT; originally designed for my daughter), now available for everyone (and their children!) Digital print, B2 format (50×70 cm).

A poster for Philip K. Dick's book THE MAN IN THE HIGH CASTLE. Obsessive, mysterious, and mystical: my favourite novel by the author. Digital print, B2 format (50×70 cm).

As we follow Joe Chip in his journey through time, space, and different planes of existence, everything becomes less and less clear, except for the omnipresence and power of Ubik, whatever it is.